The 50 Best Movies on Amazon Prime (September 2018)

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Most movies would take this set up and deliver a city-destroying action-fest. This is how Dear Zachary begins: Rooney Mara and Casey Affleck play a couple whose happy life is upended when the husband dies. Manchester By the Sea Year: He returns in ghost form, a sheet with black eyes, to stay in the house for eternity while his wife moves on. Instead, the problem requires action, and Human Flow , generously taken at face value, is a tribute to those in the trenches:

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50 Best Movies on Amazon Prime Video Right Now

Haigh breezes past them all, seeking something more elliptical in this deceptively slim story. Rather, this bizarre deconstruction of Reagan-era yuppiehood came from Brian Yuzna, well-known to horror fans for his partnership with Stuart Gordon, which produced the likes of Re-Animator and From Beyond …and eventually Honey, I Shrunk the Kids , believe it or not. Society is a weird film on every level, a feverish descent into what may or may not be paranoia when a popular high school guy begins questioning whether his family members and indeed, the entire town are involved in some sinister, sexual, exceedingly icky business.

It takes aim at its own title and the tendency of insular communities to prey upon the outside world to create social satire of the highest and grossest order.

Robert Eggers From its first moments, The Witch strands us in a hostile land. We watch, and writer-director Robert Eggers holds our gaze while a score of strings and assorted prickly detritus. The wagon lurches ever-on into the wilderness, piling the frontier of this New World upon the literal frontier of an unexplored forest. All of this Eggers frames with a subconscious knack for creating tension within each shot, rarely relying on jump scares or gore, instead mounting suspense through one masterful edit after another.

The effect, then, is that of a building fever dream in which primeval forces—lust, defiance, hunger, greed—simmer at the edges of experience, avoided but never quite conquered. Chang Cheh In a time when exploitation cinema seemed the standard for cheap movie houses the world over, no martial arts flick got much better than this Shaw Brothers staple, which eventually adopted the much more PC title, Return of the 5 Deadly Venoms.

Together, they make an unstoppable force of vengeance against the local martial arts master who crippled them, as well as his son, who ironically lost his arms at a young age, and so sports dart-shooting cast-iron facsimiles. Movies like this give us reasons to get up in the morning. Nothing about Les Diaboliques dips into the scummy waters of cheap thrills: That the film ends with a warning to audiences to not give away the ending for others—perhaps Clouzot also helped invent the spoiler alert?

Small Enough to Jail Year: In it, James details the ordeal of the Sungs, who ran the only bank to face federal prosecution in the aftermath of the financial collapse. Of course, they are—they are images no person should ever have to see, and yet Joe Berlinger and Bruce Sinofsky use them only to expose the unbelievable horror at the heart of the appropriately named Paradise Lost. What unfolds over the following two and a half hours is just as heartbreaking: What begins as a pitch-black take on a Farrelly Brothers farce descends irrevocably into madness when director Anders Thomas Jensen reveals—through a deeply unsettling mastery of tone—what the title of his film really means.

Jensen never once loses his sense of humor or penchant for gross setpieces as he approaches trenchant, even transcendent ideas about what it means to be human. You can engage with Arrival for its text, which is powerful, striking, emotive and, most of all, abidingly compassionate.

You can also engage with it for its subtext, should you actually look for it. Army to figure out how the hell to communicate with our alien visitors. Adams is a chameleonic actress of immense talent, and Arrival lets her wear each of her various camouflages over the course of its duration.

She also represents humankind with more dignity and grace than any other modern actor possibly could. If aliens do ever land on Earth, maybe we should just send her to greet them. Buzz One Four Year: Matt McCormick Portland filmmaker Matt McCormick begins his very personal documentary with an astounding shot of a nuclear mushroom cloud from high above the Earth, a droning ambient soundtrack roaring to a fever pitch as the explosion takes explicit shape.

From there, McCormick narrates the story of his grandfather, one of the U. Scored by Portland ambient artist Eluvium Matthew Cooper , Buzz One Four stays so compelling in its powerfully non-verbal wandering, one wishes McCormick got rid of narration altogether.

On their tour of hotspots in our burgeoning global refugee crisis, the director and his crew stop at the U. As the crew films, they are at one point interrupted by the arrival of an American yokel riding a four-wheeler. Ai is not a man you can easily cow. Never Sorry , then you know this well enough.

But watching his mettle in action in Human Flow inspires a different reaction than it does in Never Sorry. View all Comics Sites. View all Cars Sites. View all TWD Sites. Ranking the 67 Best Characters. View all GoT Sites. View all Star Wars Sites. View all Entertainment Weekly Sites. How did Atlanta not win an Emmy for Teddy Perkins?

Like Connie, they thrive on their wits and endless inventiveness—the thrill comes in marveling at how far it can take them. Francis Ford Coppola The really incredible fact about this film is that Coppola made it as a side project between Godfather movies. Starring Gene Hackman, The Conversation is the story of a surveillance technician coming face to face with the implications of his job, and the paranoia of being watched at every moment.

Only, where Jeanne Dielman depicted the day-in-day-out of working-class life as a monotonous horror show, Paterson takes an altogether different tack. To Jarmusch, the everyday existence of blue-collar individuals like bus driver-poet Paterson Adam Driver —whom we observe across a single week—is so simple as to be near transcendent. With a remarkable dearth of charm, Farrell inhabits David, a man who, upon learning that his wife has cheated on him and so must end their relationship, is legally required to check in to a hotel where he has 45 days to find a new mate, lest he be transformed into an animal of his choosing.

David easily settles upon the titular namesake, the lobster, which he explains he picks because of their seemingly-immortal lifespans, the creatures like human ears growing and growing without end until their supposed deaths.

There, of course, against all rules he falls in love with another outsider Rachel Weisz. Regardless, Lanthimos and Filippou find no pleasure in explaining the foundations of their film, busier building an absurd edifice over which they can drape the tension and anxieties of modern coupledom. In that sense, The Lobster is an oddly feminist film, obsessed with time and how much pressure that puts on people, especially women, to root down and find someone, no matter the cost.

The Florida Project Year: Baker plunges his audience into his worlds through the lens of social realism, his camera on the same playing field as Moonee Brooklynn Prince , her mother Halley Bria Vinaite and the manager of the motel they live in, Bobby Willem Dafoe. The camera lives with the characters, watches them haul a bed-bug-infested mattress outside, or sit and eat pancakes by a small creek-ish ditch.

The Florida Project is spattered with profound sadness, with moments of externalized, violent frustration at presumed helplessness, at practically being born into all this. When the film switches from 35mm to digital in its final shots, Baker imbues his camera, now mobile, with freewheeling liberation. No matter what happens after The Florida Project ends, in those last moments, these kids are born to live. A Ghost Story Year: It might even be one of the most epic subminute movies ever made.

They live in a simple, old house. In the aftermath, the movie takes its time to reveal its bold intentions. Perhaps this success has given him the freedom to do a small, low-budget film and not worry about whether people will call it pretentious or boring.

Night of the Living Dead Year: Duane Jones more than makes up for that as the heroic Ben, however, in a story that is very self-sufficient and provincial—just one small group of people in a house, with no real thought to the wider world.

But in terms of entertainment value, Romero would perfect the genre in his next few efforts. The remake of this film by Tom Savini, which is unfairly derided just for being a faithful remake. The Lost City of Z Director: Only once we reach the Amazon, untainted by Western hands, does the film relax, its beguiling score and open-air scenery turning inviting. There, in a land of uncomplicated tribes and indifferent wilderness, a man like soldier and explorer Major Percy Fawcett Charlie Hunnam can find freedom from the narrow-mindedness infecting early 20th century Britain.

Every frame is sumptuous and misty-eyed, always pining for a lost era when adventurers might still find corners of the Earth completely untouched. Gray may show little love for Empire, but he depicts colonial exploration in itself as a romantic adventure.

Like Fawcett, it aches—like his obsession, the jungle, it envelops, casting a lasting spell. Five Deadly Venoms Year: Chang Cheh This is what vintage kung fu—and martial arts cinema, with it—is all about. The mythology alone is exquisite: Five Deadly Venoms is the first Venom Mob film, and gave each of them a name for the rest of their careers. Is it on the cheesy side? Sure, but how many great martial arts films are completely dour?

Current ranking of the 50 best movies on Amazon Prime video.

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Amazon Prime is an unheralded streaming treasure trove of some of the best movies to come out in the past couple years, though good picks can feel nearly impossible to cull cometimes from the. Amazon Prime gives subscribers access to a host of great movies, but sifting through the massive library isn't easy. Lucky for you, we've sorted the wheat from the chaff. Here are the best movies. Current ranking of the 50 best movies on Amazon Prime video. Amazon Prime Video is quickly and unsurprisingly becoming a giant in regards to streaming both movies and television, now offering over Founded: Apr 01,